The Salon · Est. MMXXIV

A gallery,
not a feed.

The photographs of Ada Renard — matted, framed and lit on the wall. Walk up to any print and it opens like a lightbox.

Enter the gallery
Pl. 07 · Room I
Untitled (Meadow, dusk)
2026 · Silver gelatin print · 3 / 10
The Wall

Sixteen works, one wall.

Hung, not scrolled. Each print is matted and lit; the engraved label carries the plate number, the year, the medium and the edition. Click a work to step up to it.

  • A dusk meadow of tall grasses catching pale golden last light
    Pl. 01 Untitled (Meadow, dusk) 2026 · Silver gelatin · 3/10
  • A misty pine forest, tall bare trunks receding into fog, a pale sun glowing between them Pl. 02Portrait · 4:5
    Pl. 02 The Standing Wood 2025 · Pigment print · 5/15
  • A single ripe pear resting on rumpled linen, a quiet black-and-white still life Pl. 03Square · 1:1
    Pl. 03 Pear, North Light 2025 · Silver gelatin · 2/10
  • A calm, near-empty sea meeting a pale sky at a low, misty horizon Pl. 04Landscape · 5:4
    Pl. 04 Rooms We Kept 2024 · Pigment print · 7/20
  • A spiral staircase seen from below, its steps coiling up to a bright square skylight Pl. 05Portrait · 4:5
    Pl. 05 Spiral, Looking Up 2024 · Silver gelatin · 1/8
  • A wide field of wind-blown grass under a low sun near the horizon Pl. 06Wide · 3:2
    Pl. 06 The Long Field 2023 · Pigment print · 4/12

A photograph deserves a wall, not a scroll.

I make portraits and quiet landscapes on film and print them by hand, in small editions. This room is arranged the way I'd hang a show — matted, lit, and labelled — so a picture can be met one at a time.

Every print is made and signed in the studio.

Ada Renard, photographer
Commissions

Sit for a portrait, or commission a series.

Portrait sittings, editorial assignments and print commissions. A handful of bookings each season, so the work stays close.

Booking Spring 2026 — two sittings left